British Museum has accelerated the digitization studies due to the pandemic, and thus the number of historical artifacts that it has opened to the internet has reached 4.5 million.
Museums, art galleries, libraries and other similar cultural and artistic institutions have been bringing their collections to digital environment in high resolution in recent years. These attempts accelerated due to the pandemic.
British Museum exhibitions, which is home to distinguished Ancient artifacts and ethnography collections, has launched a digital archive consisting of pieces that can be viewed 360 degrees with 3D modeling in the past. The museum accelerated its digitization efforts due to the pandemic and made 4.5 million works of art available to the world free of charge.
With this acceleration study, the museum has opened more than half of the pieces in its collection to the internet. Many historical artifacts in the digitized collection, including the precious pieces such as the Rosetta stone, the Sutton Hoo helmet, and the Parthenon sculptures; It can be examined in detail by zooming and panning. Of course, all of them are high resolution. With this latest update in the digital collection, more than 280,000 unpublished photos were also made public. Archive offered for use for non-commercial purposes; it aims to make it easier for students, teachers, and researchers to access this world heritage. British Museum collection contains many historical works that shape world history. If British Museum tickets are expensive for you, this digital archive is for you.
British Museum exhibitions, consisting of 10 different sections dedicated to history, art, and culture, contain more than 8 million objects and artifacts from around the world. Among the most remarkable pieces of the collection are the Rosetta stone brought from Ancient Egypt and the elgin marble brought from Greece. In fact, if we look at the situation from a different perspective, we realize that England has collected many exhibits that are not its own and display them in this museum. In fact, some events and openings in the museum have been the scene of protests because of stolen works. Now, Britain is trying to digitize 8 million works, but it is only halfway through. He continues his digitization studies. It is unethical to kidnap these places from where they belong. Perhaps if they stayed in the places where they were extracted, each country would be able to digitize its heritage and open it to the world faster. Of course, there is also a criticism that these countries should address themselves. Could these works be protected so well in the countries from which they were produced?